Sunday, 15 July 2012

All that we see or seem, is but a dream within a dream.

"All that we see or seem, is but a dream within a dream." - Edgar Allan Poe


I'm probably one of the few people who hasn't watched every episode of Friends.


It's not that I'm not a fan of the show - far from it.


I actually have this weird thing with television shows that I love. I tend to think that if I don't watch every episode, the programme hasn't really finished. It took me five years to actually watch the last episode of Sex and the City - and believe me, I wouldn't have even watched it then were the film not shortly being released.


When I was a kid I actually said, on numerous occasions, that if I could do anything when I grew up I'd write episodes of Friends.


I asked my mother if that was a real job and how I could go about doing it. She said it was indeed, a real job, but she wasn't sure how to go about doing it. When I asked around, people said that television was too competitive and that I'd be better off just doing an English degree and getting something realistic. (For those of you who actually have an English degree, please list your subsequent job in the comments box below. I'd be interested to find out what you did with it.)


I stopped saying that I wanted to write for Friends after speaking to my careers advisor. I am fully, fully aware that I wasn't advised very well, which is why I'm writing this blog, but whenever I asked anyone what I can do with an English degree, the only answer I ever got was "how about teaching?"


I'd mention other things I wanted to do and for nearly every single job I wanted there was someone telling me to steer clear because the job market was too competitive.


And like an idiot, I listened to them.


In the end, I chose to do a joint honours in English Literature and Psychology. It was an attempt at keeping my options open, thinking maybe I could go into clinical, or educational psychology. It turned out the answer was exactly the same. Every way I looked there was someone telling me to settle for something less than what I really wanted, to get an easy life, an easy job (Ha! As if such a thing exists!) just to save the hassle of encountering competition, because there's always some one out there that's better than me.



No one actually told me that most things in life are competitive.


Although I finished my psychology degree nearly a year ago now I'm still very much intersted in the subject, and dream studies in particular. This last week I've actually been a participant in a psycholgoy study where I've had to document my day in 3 sections -


  • 5 Main Points of the Structure of my Day
  • 5 Things that I've found Personally Significant
  • 5 Major Concerns


I completed the diary every night before bed for two weeks, then I'd document the dreams I had that night.


The first disheartening thing after reading back my fortnight day journal was how mind numbingly boring my day might seem to someone reading it.


  • Wake up, avoid the gym.
  • Have coffee, scold myself, vow to cut back the next day.
  • Eat cake, scold myself, vow to cut back the next day.
  • Avoid dissertation.
  • Watch television until I fall asleep.


And repeat.


No wonder everyone was telling me to steer clear of exciting job. Why would anyone want to take on someone like me?


There was some differentiation on a few days. I started my BBC training for 3 days of those two weeks.I've also been fortunate enough to be offered the opportunity to try my hand as a production assistant for a seven week radio programme, Group Therapy FM, and both have been literally amazing experiences.


When it came to recording my dreams, I couldn't help but think of the person who would be reading them after I returned them to be analysed.


I couldn't help but ask, just as I would for an interview - what does this person want from me?

Dream of flying? Of being a big movie star? A model, actresses? My deepest, darkest thoughts as an extension of my inner wants, needs and psyche?


"The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened." James Arthur Baldwin"



I couldn't believe it. It turns out, when I actually sit down and document my dreams - I'm doing exactly what I'm doing in the day.


That night I'd re-done my BBC training in my sleep. I had nightmares about the gym where I was chased by oversized pieces of Sara-Lee. I transcribed radio documents long into the night, well after I'd switched off my computer.


I was worried about being boring and having to justify myself to a researcher because I'd go to bed every night and do the same thing as the day before. I couldn't help but wonder how was I going to be able to pave my way in a competitive job market when I was a living, breathing example of someone who was...


And then it dawned on me.


After all the ridiculous advice I've had, from people who have tried to put me off doing what I want to do in life, and others who have been plain rude about offering people help and expertise...


Hey - I'm actually living my dreams!


In some warped, twisted way at least. I took a long hard look at my dream diary, and couldn't help but ponder my life in general.


Some days, it can be all too easy to measure your life in negatives. The number of your scales. The cups of coffee you drank that day, the deadlines waiting on your desk. The people who try to put you down with back handed compliments. I know I'm not quite there yet, and I have a long, long way to go before I reach any of my true goals, but that that day, as I emailed off my fortnight to a stranger in a lab, I put on a new episode of Friends, poured myself a cup of coffee and helped myself to a really big slice of cake, and couldn't help but think to myself -


Things really ain't that bad.


So go out. Do what you want to do. Don't let anyone stand in your way, and if someone's advice plain sucks, go out. Get your own second opinion, based on your own experience.


And to all the people who say you can't have your cake and eat it too,


I say why not?



Tuesday, 3 July 2012

The Killer Pitch

I've just tried googling why they call it 'The Killer Pitch.'

I couldn't find the answer, but from personal experience, I'd say it's because it usually goes one of two ways;

You either knock em dead, or fall dead on your arse trying.

I'm quite ashamed to say this, but when I was at school I spent most of my time trying to rationalise my way out of maths lessons. I wrote blogs. Diary entries. Open letters to my maths teacher, detailing what a lost cause I was, and how much more enriched my life would be if I were simply excused from class. For the rest of my life.

The funny thing is, it worked.

By some fluke of luck, I happened to land upon (in my opinion) the best maths teacher in the world. One day I walked into the class, generically whinging about how nothing in that lesson was going to help me in the real world, and like some weird film scenario, my Maths Teacher turned to me and said "You have three minutes to tell me why I should let you leave the class. Go."

The first time it happened, I was shocked. Should I fake a dentist appointment? Feign a headache, and list all the reasons my homework would be completed faster if he sent me home to watch films and eat pop-tarts? But something about that option didn't feel quite right.

He knew that whatever I was going to tell him was going to be made up on the spot. 

A product of opportunity.

I knew it was a once in a lifetime chance that I was unlikely to ever get again. He wasn't interested in plagiarised sick notes and leg injuries. He, too, was fed up of algebra. He wanted escapism. A good story.

And hell did I give him one.

I walked into that lesson convinced I was never going to learn anything from it, yet I came away from it with two pieces of knowledge that, as a writer, I use to my advantage nearly every day of my life.

1) Never let an opportunity pass you by.

2) Know your audience.

When they've given you that opportunity, don't disappoint them with a rubbish story.

At University, I decided I pretty much never wanted to do maths again. When it came to my master's degree in Creative Writing, I spent some time learning about pitches; the right way to do it; the wrong way to do it. I recall one great lesson where we all sat around pretending to be the BBC, throwing potential pitch ideas around the room at each other.

I didn't know it at the time, but three months later, I would be at the BBC - pitching for real, but this time, there was no safety net to catch me.

From those University lessons, I added to my little list of personal tips.

3) Make a plan. Know your story.

I heard wonderful horror stories from my lecturer about people trapped in lifts with Producers for three minutes and having nothing to say. He advised there and then to always have a pitch handy, and as a writer, I feel like I'm pitching all the time. Selling myself, my stories, and tailoring each one to a new audience. Having confidence in yourself and your ideas isn’t easy , especially when you find yourself against stiff competition, so there’s something I always try to keep in mind.

4) This is your story. Make sure you're the best one to tell it.

When the day arrived for my Production Talent Pool interview I didn't entirely know what the day would entail. I didn't realise it at first, but I was given three opportunities to pitch that day.

The first time, I was with a group of people given a brief of TV timeslot, the target audience and time to make some notes. As this was a collaborative exercise, I found it was easier to get a pitch together from the wealth of ideas bouncing around the table - which eased the pressure a little.

The second time, I was given a brief of a radio programme where I had to come up with a Killer Question and  choose the backbone of the content for the show. Nothing too difficult there.

The third time was the unexpected pitch. The one I didn't plan for. I was in my personal interview, ready with my Writer's CV of all my accomplishments; the succinct bullet points full of cleverly thought out quips, designed to stun and amaze.

Then came the question. "Why are you the best candidate for the job?" I smiled politely, clearing my throat and nudging my paper in the direction of the interviewer.

"Well, as you can see here...I've--"

"I'm not interested in your CV," smiled the interviewer. "I want you to tell me, why you're the best person to do this job."

I was trapped in a lift, with nothing to say.

Mentally, I added to my list of pitch tips there and then on the spot.

4) Learn about pitches. Never be without one. Be prepared. Then throw it all out the window.

My mind flashed to a Carrie Bradshaw Quote I'm rather fond of. "Five minutes of Bodice-ripping material out the window. So I did what any writer would do. I pulled an idea out my ass."

I left my interview feeling shocked, stunned but in all, feeling pretty damn good. I'd spent the day talking about programme ideas that I wanted to hear. That I wanted to make. That I, personally wanted to watch. I did something that no other job had let me do.

I got excited about it.

I spoke to other people who also wanted to get excited about it. It was a good feeling. They didn't ask me about my weaknesses (algebra), what I ate for breakfast, or any other ridiculous interview questions I often come across that are just there to tick a box.

They wanted to know what I was good at. And I was the only person who could tell them.

I only had two options. I was either going to knock em dead, or die on my arse trying.

And so I did it.

All in three, succinct minutes.





Tuesday, 26 June 2012

First Day at BBC Production Talent Pool Training

I like gold trousers.
There – I said it. I like gold trousers, and when I say gold, I don’t just mean shiny pants. I mean, these things are the kind of gold that when you walk, sparkles fly out your ass.

Except, that’s not what happens when I wear gold trousers.

Somewhere along the way, I bought into the belief that skinny trousers look good on chunky thighs. Saying it now, outright, I realise the glaring error of my ways, and wonder how I’ve never really thought this decision through before.
I guess that’s because I’ve never really given much thought to my thunder-thighs. As the years passed by and I stopped growing upwards, but my legs continued their epic journey outwards, I decided to simply ignore mirrors. Perhaps that was the problem.
I didn’t try on the trousers. It was an impulse buy. One of those – I have wanted these for too long to turn back now, onwards to the cash-desk! – buys, that, like others preceding it, was doomed to failure from the start.
At home, I emerged from my bedroom to my own personal catwalk – the celebrity front row consisting of my mother, my boyfriend and my cat. There was a hushed silence as I pranced down the runway (stairway corridor) displaying my glorious gold trousers for all to see. I stopped and posed, waiting for the cameras to flash, the model deals to rush in, the autographs and pictures I’d politely giggle away – “Oh no! Thank you! You’re all too kind! But I am no model; I am but a mere writer, albeit in fabulous, fabulous trousers...”
But something very different happened. My mother shifted uncomfortably in her seat. My boyfriend coughed. The cat blinked; a fur-ball lodged in its throat. It was a wake up call. I was certainly no D&G model.
 I had become the elephant in the room.
And it was wearing gold trousers.

I looked in the mirror, at the end of my makeshift runway, at my thighs. It was the first time in years. Suddenly, I felt flushed. It turns out, something else happens when you wear tight, shiny jeans when your legs are a little larger than life.

You squeak when you walk.
It’s for moments like this that led to the decision to go quiet on this blog while I applied for a position on the BBC Production Talent Pool, a process which, quite frankly, terrified me. What if they read my blog and decided, quite rightfully, that I was some kind of moron? An idiot? A frumpy twenty-something with a taste for ridiculous trousers?
There were over 2800 applicants this year, and with each passing round, the blogs got fewer and more conserved, terrified of opening my big, cake scoffing mouth. Social media is a tricky one. Personally, I believe it opens doors, creates links, gives immediate feedback, and bridges you with people you may never have had the opportunity to speak to in real life. It connects the people, unites the weak, and creates leverage for professional stalking... 
But for every great, witty tweet, there’s that drunken one that can ruin your life – and this blog is a lot longer than 140 characters.
So I set up camp. I watched from afar and posted only what I considered ‘safe’ material.

After finally receiving the congratulatory email, yesterday was my first day of BBC training. Sitting in reception I noticed a woman walk past me in a pair of wide-legged, fluorescent pink trousers. I looked down at my own bland pair of skinny blue jeans and felt a pang of envy.

We were directed to the hospitality suite where we were to receive our initial training using a number of different programmes on the intranet. As someone who’s spent a lot of life hours poring over web-pages searching for travel information and vetting hotels, I was thoroughly delighted to discover how organised the systems were, and how user-friendly they appeared to be – a phrase I am sure will be put to the test at some point.
When it came to the topic of social media, I waited with baited breath for the imminent closure of my blog. It was an issue which was discussed at length. Although there are lots of rules and regulations, as I have found with nearly every organisation, it turns out; no one here really wants to silence me.
It was a humbling, yet reassuring moment. For the first time in my life I was surrounded by a group of like minded people, who didn’t really care what colour my trousers were.
So to all my regular followers and a big thumbs-up to all my new ones – here’s to the next part of my adventures. Keep your eyes peeled for my sparkly gold bum poking around on set, it’ll be squeaking away with the best of them.



(These views are all my own, and not that of the BBC. I haven't asked them their thoughts on gold sparkly trousers. Yet.)

Tuesday, 12 June 2012

Yard Games - Short Story


Yard Games
The name of the hamster, Sir? Yes, I remember the name of the hamster, Sir. It was Carrot.
            I named it.
Why did I name it, Sir? Well, Miss Summers, the Sunday School teacher, she asked me to. She said it needed a name.
Oh, you mean why did she ask me to name it, Sir? I guess I’m not so sure, you’d have to ask Miss Summers. You’re asking me? Well, I’d have to think.  I certainly took a liking to it, Sir. I liked it very much. You see, I’d never had a pet before...
You want to know the name of the boys? But you know the name of the boys? Alright then... the boys were called Jeremy and Fred. I suppose there were other boys there too, Benjamin, but he said he’d grown too old for Sunday school, said it was for kids. He just liked to draw funny women on the desks. He said Jesus Christ a lot too, because he said it was allowed, said it was Jesus’ name, and so it wasn’t a swear.
You want to know more about the boys, Sir?
Did I like Fred, Sir?
Why I certainly did. Fred was about the most popular boy in class, I’d say. He could catch, throw and kick a ball – further than anyone else in the class. He didn’t speak much, and I don’t think he’s very good at reading or anything, but that didn’t seem to stop people following him. I followed him. Yes sir, I liked  Fred.
Jeremy, sir? I don’t really know what to say about Jeremy, Sir. You know what he looks like – scrawny, pale, glasses... like he doesn’t go out in the sun very much. Very different to Fred; he looked like he was out in the sun all the time, kicking a ball or chasing rabbits through the grass.  Jeremy was definitely smarter than Fred though, I used to see him read a lot. He used big words in class, like when Miss Summers would talk about sinning and stuff. Jeremy would say that people have no consciousness of sin, and Miss Summers would tell him to be quiet. She said that people knew when they were being bad, and that they were lying if they said they didn’t. That’s what happened that day of the argument, Jeremy was arguing with Miss Summers, so she told us to pack up our things and go outside. She said had to do something. I don’t know where she went, Sir.
Fred stood up and asked Jeremy why he was trying to make Miss Summers cry. I think Fred liked Miss Summers. Most of the class did; she was a pretty lady. Jeremy just laughed and told Fred he was going soft. Fred looked annoyed and started kicking up dirt. That’s when he found the woodlice.
Jeremy had been talking about something to a group of boys sitting around him. I was there, but I wasn’t really listening. He’d said something about aliens, and that we’d sound stupid trying to explain to an alien that on Earth, something that defied all reasoning was considered to be the highest truth. I didn’t know what he was talking about - so my mind wandered, and my eyes noticed that people were slowly trickling away from Jeremy’s sermon and were drifting over to Fred and his dirt pile.
“I’m going to drown them,” Fred explained to the group, and he started unscrewing the lid of his water bottle. I looked down at the cracked soil at the handful of woodlice. Jeremy looked over at the sound of Fred’s voice and abandoned his remaining small flock to observe the show.
“That won’t work,” he scoffed. “The ground’s too dry. It’ll just pour straight through.” I looked at Fred to see if he had understood. I hadn’t, Sir. I never really knew what Jeremy was talking about, but a funny thing happened when Fred poured the water on the ground.
It disappeared.
Fred said they were the woodlice of God, and they were performing miracles. That’s when Jeremy said we should start playing a game, and we could all be people from the Bible, and the woodlice could be Jesus’ disciples. Fred pinched Jeremy on the arm and said “I bet you want to be Jesus then,” and pushed him. Jeremy stumbled a bit and looked as if he might have liked to kick Fred, but that would have been silly. Fred’s a lot bigger than Jeremy.
Jeremy said that it was fine for Fred to be Jesus, and everyone looked surprised. Then Jeremy started naming the other boys, and a fight broke out when he said the twins would have to be prostitutes. They said they didn’t want to be girls, so Jeremy said it was ok for men to be prostitutes too, and so the twins nodded and carried on with the game.
What name did they give me, Sir? Abraham. They said I was Abraham.
When Jeremy was done giving everyone their parts, Fred asked Jeremy who he was going to be. Jeremy said that he’d be whoever Fred wanted him to be, and so Fred tried to think of a name.  “You can be Mary!” he declared, and the crowd laughed, but Jeremy said there couldn’t be any more boys playing girl parts, so Fred tried to think harder of names from the Bible. There were none left that he could think of. Jeremy smiled.
He said that he would have to play God.
Fred tried to protest, but without knowing any other names he was stumped. Jeremy said he needed a sacrifice, and Fred quickly forgot all about Jeremy trumping his status.
“The woodlice!” Fred cheered excitedly, and prepared for the massacre.
“No!” said Jeremy solemnly. “God does not want woodlice, they are no sacrifice. I want something bigger!” he jeered.
The group quickly scattered, and went in search of objects from the church yard to please their God. When everyone was done, they dumped their twigs, sticks and oddly shaped stones in front of Jeremy. None were good enough. Some boys started emptying their pockets, and a few placed conkers, elastic bands or chewing gums in front of him. He shook his head.
I wandered back in the class to speak to Carrot because he was on his own,  so I decided to take  him outside to join in the quest being as Miss Summers wasn’t around. When Jeremy spotted me, his eyes widened and his arms both shot up in the air.
“Yes! A worthy sacrifice!”
I didn’t know what he was talking about. I quickly put Carrot in my pocket and tried to walk around him to try and get to the other side of the yard, but Jeremy put his arm out to block my way.
“The hamster must die!” He screamed, and the other boys began to cheer. They started to chant alongside him, “The hamster must die!” and pushed me into the middle of a circle in front of Jeremy. They pushed me to the floor and someone handed me a stone.  
“I don’t want to...” I mumbled, trying to keep Carrot in my hands without him running away. He must have known what I was going to do.
“Insolent minion!” Jeremy bellowed in my ear. “What is your name?”
“You know my name...” I babbled.
“Not that name,” he hissed. “What is your playing name?”
“Abraham,” I mumbled, and he smiled. He took a step back and looked at me.
“Ah, Abraham.” He sneered, rubbing his palms together. “Abraham, you must sacrifice your child for me.”
“I don’t have a—“
“The hamster!”  He screamed.
I didn’t know what to do, Sir. He said that I had to, that he was God, and I was Abraham, and Carrot was my son. He said that I had to do what he said, because that’s what happened in the Bible. So I held Carrot down with my palm, and with my other hand I lifted the stone.
That’s when Miss Summer’s broke into the circle, Sir. She probably thought there was a fight, Sir, because of the circle around me. I’ve never seen her look more shocked, Sir. Or angry.
But I didn’t kill it, Sir. Miss Summer’s – she broke into the circle, Sir...
You know that, Sir? Well, why do you want me to tell you what happened again?
Was I going to kill the hamster?
Did I know what I was doing?
Why was I doing it?
He told me to, Sir!
God told me to.

Thursday, 31 May 2012

Short Story - Luke and John


Luke and John
“Dad, when is Daddy coming back home?”
            Luke smiled at the two uses of the word Dad in the same sentence.
            He and his partner, John, had talked about what their adopted daughter might call them, in the days long before they had even laid eyes on Rosie. They imagined what she might look like; blonde, with tightly curled ringlets, peach pinked cheeks on porcelain skin. John would teach her to sing; she would be a broad-way star, with a voice like Idina Menzel. Luke would introduce her to poetry, Yeats, Frost and Blake, and fuel her with a love of language. She would speak perfect French, Spanish, and a little Portuguese. She would live in their house with them, a beautiful cherub, sent by the angels. They would call her Diona, and she would call them...
            What would she call them?
            John suggested “Daddy Number One” and “Daddy Number Two.” Luke didn’t have to ask outright, he knew that John would insist on being referred to as the former.
            They tried it out for a while, when Rosie first started to speak. The problem was, Rosie couldn’t pronounce “Two” properly, favouring P’s and B’s over M’s and T’s in her early days. With some minor modification, John was shining “Dadda One” while Luke became “Dadda Poo.” While Luke was never ashamed of his sexuality, he had never quite been as confident about it as John. He found it difficult enough explaining his relationship to outsiders, without his daughter running up to him and consistently shouting “Poo!” at him in public. John had found it hilarious, but for Luke, the joke wore off quickly. Instead, he put forward the suggestion that Rosie would refer to Luke as ‘Daddy’ and John as “Dad.” John had quibbled over this, something about semantics, and the connotations of soft y’s, and in the end, they settled that Luke would “Dad” and John would be “Daddy.”
            Luke didn’t know when John was coming home. He tucked the blankets around Rosie, who incidentally, was not blonde either. He stroked her thick, ebony hair and wondered what he was going to tell her, when he, himself, didn’t know when his partner was coming back. He said nothing and waited for her to fall asleep.
            John had been gone nearly four days. It was the longest they had been separated since they had become a couple. Luke had been on a themed night out to celebrate a joined birthday party of his friend Mark, and another man who he didn’t know, when he first met John. All were dressed up as either Michael Jackson or Madonna. Luke dressed as Michael Jackson, figuring this to be the safer option. He was from a shy, conservative family, and feared his family’s reaction, should photographs ever emerge of him in a dress. John had no such concerns. Luke’s first sighting of John was of him in the iconic, gold, cone shaped Madonna bra, wearing a blonde wig with tousled curls. He had taken Luke’s breath away.
            It was John that struck up the conversation at the bar. He insisted that Luke do shots of tequila with him, breaths of conversation between mouthfuls of alcohol and two weeks wages. Luke soon felt giddy. Giddy on life, with all its amazement. Sometime in the early hours, John offered his blonde wig for Luke to try on in the bathroom of a club called Colada, which Luke had never been to before. He had never felt more beautiful.
            John had soon occupied Luke’s apartment. It happened without Luke really realising. One day, it was his apartment, solo, with his things. The next, it was their apartment, with Johns things strewn everywhere. There had been an argument. Luke had said John was suffocating him. John packed up his things and left. It was only overnight, but in those twelve hours, Luke realised that he needed John.
            There had been petty fights in between; it was usually John who took umbrage to a statement or suggestion – he could pack a suitcase and make a dramatic exit within an average of twenty minutes, but he was usually never gone the night, especially not since Rosie. The worst fight Luke could recall was when they first decided to try for adoption.
            Luke had always wished to become a father; he’d known this from a very early age. Sadly, it was around this early discovery of self awareness, of his goals and ambitions in life, that he realised he was gay, which seemed to throw up no end of problems for him. He had to repeat to himself, frequently, when he was alone, that it would never be possible for him to have children – it was not physically possible, if he were to have a partner of his own choosing.
Luke kept all this hidden from his mother, a primary school teacher, and his father, a policeman, for theirs was a small village, and news travelled fast. Mr Gossamer at the end of their street sat in a deck chair in his garden and had colourful names for men who took a liking to other men; he spat them out whenever he had opportunity to do so. Gossip was rife in their small community, and Luke never wanted his mother to be at the receiving end of someone else’s cruel tongue. Rather like his hopes for children, he kept his true wishes hidden, packed up in a small battered suitcase that lay dormant until he moved to a larger city, where he could get lost in a sea of generic faces; a place where nobody even knew their own neighbours.
It was John who had brought up the suggestion of adoption. He would sometimes ask, after Luke had come home from teaching English to secondary school children, whether he had ever wanted one of his own.
“What do you mean?”
“Have you ever wanted one?” said John. It always caught Luke off guard whenever he said it, which was usually just as Luke was about to dose off to sleep at night. It seemed like it was one of those things that played on Johns mind in the last moments of consciousness for the day. Luke never knew how to answer, having long convinced himself that it wasn’t possible. Luke didn’t know what John meant, but it did get him thinking. The next time John asked, Luke was ready for the question. Instead of feigning sleep, he answered him.
“Yes.” He’d said. “I want children.”
John didn’t reply.
That next morning when Luke woke, John was nowhere to be seen, which was peculiar, as Luke set his alarm for seven o’clock every morning, ready for school. Luke didn’t even know what time John usually got out of bed, for John never had anywhere he was supposed to be. Sometimes he auditioned for parts in musicals, and often he did get a role, but the musical would come to an end after a number of weeks, and then John would return home, only auditioning for new parts when Luke encouraged him to. John would moan that he didn’t want to audition anymore, that he enjoyed cleaning, socialising, and day time television, and he wasn’t afraid to admit it. Luke worried that perhaps John felt insignificant because Luke was the main bread winner, but John looked offended at the thought.
“But I’m a house husband!” He declared, when Luke had brought it up in conversation. 
“How can you be, we’re not married.” Luke laughed.
It was true; they weren’t married. The thought of the ceremony terrified Luke, who disliked being centre of any attention, and the process seemed pointless to John, who believed it was how people acted that determined that they loved each other – not a piece of paper saying so. It turned out that John didn’t want to be anywhere else, with anyone else, other than Luke, looking after their home, and Luke was content with that.
Luke stepped into the kitchen in his school uniform to find John had cooked him breakfast. He was up to something. John smiled as he poured Luke a coffee, then perched himself on a chair waiting for Luke to finish.
“What’s all this?” Luke asked, bemused. John’s face recoiled.
“Can’t I just do something nice?” He was grinning; there was an envelope in his hands. John slid the papers across the table, and Luke realised they were information sheets about adoption. It was the first time in twenty years Luke cried.
The second time was a few months later, when it appeared the agency wouldn’t allow Luke and John to adopt. It wasn’t out loud crying, not lavish, salty tears with sound effects and snot, but quietly to himself, when he thought John had fallen asleep.
That’s when the argument started. The big one. It was when John had caught him praying.
“What the hell are you doing?”
“What does it look like I’m doing, John?” Luke said. “I’m praying. Praying to God that we get our Diona, praying to God that we raise her properly, and praying to anyone who will listen that she grows up to love us, and not hate us for giving her two dads.”
“If we get that child, it will be with no thanks to God,” John sneered. “You think God loves us, Luke? To have ‘made’ us like this, and then tell us we’re wrong for feeling how we can to feel? For making us ashamed of who we are, and what we do? If there is a God, Luke, he’s sick, and I don’t want you speaking to Him again.”
Luke had laughed. “You don’t want me speaking to Him? We’re not in school, John; you can’t just ban me from speaking to someone, especially not God!”
“I thought you weren’t religious?” John asked.
“I’m not,”
“Good, because there’s no place for us in God’s world, Luke. And He has no place in ours.”
They did adopt Rosie, eventually, and they didn’t call her Diona.
Luke continued to live his life as a Godless secondary school English teacher, and John stayed home as a house husband and a Daddy. It was four years later, when Luke was handed a pamphlet on the way to his car that things changed.
It was raining that day. It had soaked Luke right down to his underwear. He was worrying that the pamphlet might rip before he had a chance to show it to John and placed it carefully in the foot well of his car, hoping it would dry.
He waited for John to put Rosie to sleep before showing it to him. John’s lips twitched as he read it.
“What are you showing me this for?” John asked.
“Haven’t you read it?” Luke said excitedly, hovering over his shoulder to see if John had read the right passage on the paper. “There look,” he said pointing a finger at the pamphlet. John’s expression didn’t change.
“I don’t understand?”
“Well, it says that we can be Christians... did you know that? I didn’t know that – I thought if you were gay, that was it really, there was nothing you could do, and you’d just be going to hell...”
“There’s no such thing as hell, Luke.”
Luke faltered. He hadn’t been expecting this reaction. He thought John would be delighted at this news, that they could both be saved, somehow, by this sodden little pamphlet.
John stood up, trying hard not to raise his voice so he wouldn’t wake Rosie. “Are you reading this properly, Luke? It says that we can be gay, and that’s fine, but we can’t act upon anything. What do you think that means?”
“Well,” Luke said. “I think it means we wouldn’t be able to, you know...”
“That’s right. We wouldn’t be able to have sex anymore, Luke. We’d be living together for the rest of our lives as buddies.”
“But I thought that was a small price to pay! God damn it John, I thought you’d be happy! We could—“
“We could what?” John said throwing his hands in exasperation.
“We could both go to heaven.”
 Luke did think it. He thought that the time he and John were together on earth was nothing, if all he, John and Rosie could all be together in heaven forever.
“I never thought we could have children, John, heaven was something I never even imagined could be in our grasp.”
John was biting his lip. “I thought this was our heaven, Luke. It should be heaven for you, here, now, with me and Rosie.”
It was the last thing John said to him before he left.

*
The day Luke brought home that stupid God booklet had been the worst day of John’s life. It felt like someone had smashed a gong around his ears, shaking his balance, moving the floor out from under his feet. If he was honest with himself, John wasn’t all that surprised – it didn’t shock him, he just wished it had never happened. Over the years, Luke had mentioned God and heaven, and other things that John had tried his best to stamp out. To nip it in the bud, and hope that he’d never say any more about it. But he did. Every now and then, God would creep into Luke’s life, and John was powerless to stop it.
He felt awful leaving him that day - he knew Rosie would be fine - and he always knew he was going to go back home. He just didn’t know when. He didn’t know what he was going to do, now that everything had changed. He loved Luke, he always had, and he always would. He knew Luke wanted to go to heaven, if he possibly could. He knew that somehow, he even had the twisted notion that John could get into heaven. John knew that it would take a lot more than abstinence to ever get him into heaven, but he kept that quiet from Luke.
When John returned, four days later, Luke was a mess. He said he’d never mention anything about God again, and that yes, this was their heaven that they were living in, and he never wanted to give that up.
John had smiled, and said it was fine. That he would give things a try. They would take things slowly. John saw tears filling in Luke’s eyes.
That night in bed thought to himself, in those last moments of consciousness, that if there was a heaven up there and there was a slight possibility that Luke could go there, then John damn well wasn’t going to stop it. He was going to make this work.
 John reached for Luke’s hand and lay there, in their heaven.

Monday, 14 May 2012

Two Guys at a Bar



Hello everyone! Long time no blog!

Just to let anyone who's interested keep up to date with what I'm doing!

At the moment I'm suffering withdrawal symptoms now the MA has stopped weekly lectures. True to form, I went out and joined two evening script writing classes, which I'm thoroughly enjoying. Currently working on two different stage scripts for both of those.


I'm also working on getting a few ideas together for a student film project I'm hoping to get involved in. More on that as it progresses I guess!

This is a short exercise I've been given for this week's Monday night class. They're only supposed to be short, drafty/untouched/unedited pieces, so here's what I came up with. I might have cheated slightly - not sure how 'ordinary' my task is, but we'll skip past that! Hope you enjoy :)

The brief: Take an ordinary task, which one character has experience in, and the other doesn't. Let the task drive the scene.




Two Guys at a Bar
CRAIG and JIM are standing at a bar trying to attract the attention of the bar lady, KELLY, who is polishing pint glasses.

JIM:
           (To Craig) Oh butt, watch this en.

JIM waves his hand trying to attract KELLY’S attention.

Oi love! I know this might sound like I’m trying to chat you up, but I’m not...

KELLY:    
           I dun mind?

JIM:  
      Dun you? 

CRAIG elbows JIM

JIM:
          Ow! I mean, could you uh, just let us know your opinion on something? If a bloke was going to ask you out, say, on a date...

KELLY:
     Yeah...

JIM: Would you rather he ask you out in person, or by text message?

KELLY thinks for a few moments before turning back to her pint glasses.

     KELLY:
           Text.

CRAIG looks smugly at JIM and jumps down from his bar stool, ready to leave. JIM grabs him by the arm and refuses to go.

     JIM:
           You what? Really? Isn’t that a little...

     KELLY:
           Practical? It’s 2012...

     JIM:
I was going for un-romantic... Practical? How is it practical?

     KELLY:    
           It won’t make me feel awkward when I say no.

CRAIG smirks. JIM seems to determined to change KELLY’s mind.

     JIM:
           Awkward? How do you know you’d say no?

     KELLY:
           I always say no. Then I wait to see if they ask again.

     JIM:
           What, like a stalker?

KELLY starts putting the glasses away, ignoring JIM. HE turns to CRIAG and sighs. 

     JIM:
           Well, that settles it then. Get it out. 

     KELLY:
           Whoa now boys! Not in my pub you don’t!

     JIM:
           Get your phone out, Craig. Text her.

     KELLY:    
           He’s trying to get the date?

     JIM:
What do you mean he’s trying to get the date? I told you I wasn’t trying to chat you up! 

KELLY:
No... that’s not what I meant... well, that changes things. Gimme some context. How long have you known her? 

     JIM:
           What difference does it make!

     KELLY:
           Do you want me to get him a date or not?

     JIM:
What makes you think you're more capable of getting him a date than me? Just text her Craig, say ‘do you want a drink, don’t worry about saying no, it won’t make things awkward in work’

     KELLY:
           You can’t say that! You’re making it awkward!

     JIM:
           You’re the one saying no!

     CRAIG EXITS

KELLY:
           I thought this wasn’t about me!

     JIM:
           It’s not. It’s about Molly!

     KELLY:
           Molly!  What kind of a name is Molly?

     JIM:
           It’s a nice name. Why, what’s your name? 

     KELLY:
           I’m not telling you my name.

     JIM:
           I thought you liked being stalked?

     KELLY:
           Your friend just left. 

     JIM:
That’s alright, poor git. She would have said no anyway. Bit too pretty for him, you know? 

     KELLY:
           Mmm. Better off sending a text then. 

     JIM: 
           Yeah. You fancy a drink or wha?

     KELLY:
Busy. But you can have my phone number?